My Wild-Like Refuge
Open storyDuring the pandemic lockdown, J. Drew Lanham’s backyard, a newly sanctioned “wild-like refuge,” comes to life as he notices the wildlife that inhabits the nearby faraway.
J. Drew Lanham is a birder, naturalist, and hunter-conservationist. He is the author of The Home Place: Memoirs of a Colored Man’s Love Affair with Nature, which received the Reed Award from the Southern Environmental Law Center and the Southern Book Prize, and was a finalist for the John Burroughs Medal. His essays and poetry can be found in Orion, Audubon, Flycatcher, and Wilderness, and in the anthologies The Colors of Nature, State of the Heart, Bartram’s Living Legacy, and Carolina Writers at Home. He is an Alumni Distinguished Professor of Wildlife Ecology and Master Teacher at Clemson University.
Sheila Pree Bright is an acclaimed fine-art photographer known for her series Young Americans, Plastic Bodies, and Suburbia. Her documentation of responses to police shootings in cities across the US inspired her book #1960Now: Photographs of Civil Rights Activists and Black Lives Matter Protests.
Joy is the justice
we give ourselves.
It is Maya’s caged bird
sung free past the prison bars,
holding spirits bound—
without due process,
without just cause.
Joy is the steady run stream,
rights sprung up
through moss-soft ground—
water seeping sweet,
equality made clear
from sea
to shining sea,
north to south,
west to east.
Joy is the truth,
crooked lies hammered straight,
whitewashed myths
wiped away.
Stone Mountain
—just stone.
Rushmore
—no more.
Give the eagles
their mountains back.
Joy is the paradise
we can claim
right here,
right now.
No vengeful gods
craving prayer,
no tenth in tithes to pay,
no repenter’s cover charge—
no dying required to get in.
Joy is the sunrise
breaking through night’s remains,
bright shone new
on a shell-wracked shore;
a fresh tide-scrubbed world
redeems what was,
to is.
Joy is on whimbrel’s wings;
the wedge in fast flight,
wandering curlews,
curved-beaks’ cries
stitching top of the world
to bottom.
Joy is the soul stirred
underneath the journey,
gaze snagged on wonder,
not knowing final destination,
blessed as a witness,
moored to ground,
worshipful tears
dripped into grateful smile.
Joy is the silent spring,
unquiet.
Rachel’s world not come to pass.
The season
dripping ripe full
of wood thrush song.
Joy is all the Black birds,
flocked together,
too many to count,
too many to name,
every one different
from the next,
swirling in singularity
across amber-purpled sky.
Joy is being loved
up close
for who we are.
Joy is the last song,
drifting in
as dark curtains fall;
the sparrow’s vesper offering,
whistle lain down
in pine-templed woods,
requiem in me-minor—
church in a cathedral time built.
No stained glass.
No pulpit.
Altars everywhere.
Just listen.
Just look.
Joy is the return,
the wandering warbler
landed in the backyard again,
from who knows where,
to rest,
to uplift lagging spirit.
Joy is the healing,
broken dreams restored—
soaring.
Langston’s words
kettling higher
on hopes,
drifting ever upwards
on ragged-mid-lined rhyme,
dancing to syncopated verse.
Joy is our lives mattering,
Blackness respected.
It is seeing my color,
hue not blinded by privilege,
the pious privilege
of claiming you don’t.
Joy is the proper name,
with no “n” in the beginning
or “i” or double “g” or “e”
in the middle,
with an “r” rolled hateful
hard at the end.
Joy is your truth
being the same behind my back
as to my face.
Joy is the sharp eye
watching little brown sparrows,
and the kind one,
focused
on little brown children too.
Joy is the ancestors
come before,
surviving the struggle,
staying strong
in the midst of withering storm;
from shackled ancestors
through Jim Crowed back doors
to gerrymandered chokehold now.
Still here in spite of it all.
Joy is the payoff,
for those often down
but never out.
Joy is the thriving,
a people who won’t die
in the midst of all this
dying;
the breaths,
ins followed by outs,
easy—
without begging for air
or asking your Mama’s ghost
to help.
Joy is the drive
with no traffic stops,
with no taillights out,
with no tint technically too dark,
with no speed traps,
with no “yes sir, Officer sir.”
No hands at two and ten.
No wondering
where the registration is.
Joy is the flashing blue light
passing by,
not meant for me.
Joy is the good news,
without new dead names,
no chokeholds or murdering knees.
A night of sleep
in your very own bed
without shots in the dark
—no more not waking up,
full of lead.
Joy is the morning jog
without being hunted down.
Joy is the loss
we take to gain,
monuments to traitors
torn down,
lost causes finally buried,
never to be found again.
Joy is the prairie,
where billowed cloud
and wild grass meet;
where the hawks glide
from there to here—
wherever;
its own choice to make,
no border crossing checks.
Joy is the surrender,
to faith of push,
to trust in lift,
giving over to Toni’s command
to ride the air.
To float above
the trouble of this world
on a wish.
Joy is my grandma’s hands,
grits through gnarled fingers tossed
on cold ground
to snowbirds she pitied—
a love for others
that became my own.
Joy is the wild not tamed,
the rarest beast
with talons sharp,
or long teeth bared,
in the faraway place.
Joy is the wayward weed
in the midtown sidewalk seam,
the one I choose to call
“wildflower”
because it dared
to not be planted,
to not be controlled.
Joy is at the end,
a bruised purpling sky
when the night
comes again,
when luck is metered
by stars winking bright.
Joy is the frogs calling,
amplexus orgying delights.
Joy is the close call
that wasn’t close enough.
Death past by you.
Life stopping by.
Joy is a heart still beating
even though
what could have been—
wasn’t.
Joy is the knowing
that what this world
did not give—
it cannot take away.
Joy is the moment
we grab in sweat-soaked
trembling hands,
that slides from possession,
stolen legally in bits and pieces
between yawning cracks
of despair.
Joy is tears,
drops of salt water
fallen in the creases
of an upturned smile.
Joy is the necessity
that must be lain by,
what’s kept hoarded in a sturdy cache
ever ready to apply.
Joy is the gift,
just desserts,
what we deserve
without asking
or constant demands—
the comfort that comes
when no one else
really cares.
Joy is the reward,
the salary already earned—
back pay
with four centuries’ interest
compounded daily.
At least eighty acres—
and two mules.
Joy is the day off,
just because.
Joy is the kiss of that one,
or the just verdict
delivered by twelve.
Joy is the everything,
the nothing.
The simple,
the complex.
Joy is the silly,
the serious,
the trivial.
The whale enormous,
the shrew’s small.
Joy is the murmuration,
then the stillness.
Joy is the inexplicable coincidence.
Joy is what was meant to be.
The mystery of impossibility happening.
The assurance of uncertainty.
Joy is my seeking.
Your being.
It is mine for the taking.
Ours to share.
More than enough to go around,
when it seems nowhere to be found.
Have yourself a heapin’ serving.
Have seconds. Or thirds.
‘Cause
joy is the justice
we must give ourselves.
During the pandemic lockdown, J. Drew Lanham’s backyard, a newly sanctioned “wild-like refuge,” comes to life as he notices the wildlife that inhabits the nearby faraway.