Emergence Magazine

Artwork by Eric William Carroll

Gourds

by Linda Hogan

Poet

Linda Hogan is a Chickasaw novelist, essayist, poet, and environmentalist. She is author of Mean Spirit, winner of the Oklahoma Book Award and the Mountains and Plains Book Award, and a finalist for the Pulitzer Prize. Her latest book of essays, The Radiant Lives of Animals, won the National Book Foundation Science + Literature Award.

Artist

Eric William Carroll is an Asheville-based artist who works at the intersection of science, nature, and photography. His photographs and installations have been shown at the New Orleans Museum of Art, Aperture Foundation, the Museum of Contemporary Photography, and Pier 24 Photography, among others.

 

Near the place where rivers meet,

in the temple of forest we lived

in a rich depth of shadow, wavering

sunlight filtering in, cresting as waves

ebb and bloom once more,

as leaves fall then bud.

There my people built homes

of wattle and white clay

painted with the world vines,

leaves, and singing birds.

Indoors, a medicine wheel on every floor,

our reminder of the sacred way to live.

 

Then, dwellers of another century

learned from those Elders to weave a weir

for capturing fish, their webbing

held afloat at the edges by empty gourds

on the river, near the place where rivers meet.

At night they told of the roofs

embedded with pearls from the river,

shining in moonlight and morning sun

before the Spanish walked ashore

and took away their bags of pearls,

losing many along their path. The

heaviness, knowing the marvelous

beauty of a pearl, how it begins

and ends with pain,

and those Spanish left behind

a trail of hurt as they struggled with their theft.

 

That was when our Old Ones created songs

for the new generations, singing us into existence,

even this tomorrow

so we would know their stories,

their songs, the rattle of shells to lead our dances.

The ancients saw the world ahead,

new generations, even ours.

 

Today I am here where rivers meet,

elders awash in history from wars of the past,

and still the ancient gourds and flowers grow.

Holy the bones

of those who lived here in the daub and wattle

homes white as new stucco. In a midden

of waste they were broken to pieces, birds still

painted on them. Sacred pieces of floor upended,

medicine wheels still on them,

and now we have with us the many human bones

wrapped in white clean cloth,

our old ones being returned

to where they belong,

and we have come to see

these ancients home.

 

Before leaving, one of the grandmothers

gives to me a gourd, egg-shaped

and small, to take with me when I leave.

But some time ago I moved to a new river.

The egg was broken; seeds spilling out.

 

Sometimes there is an opening

in what you call time. That’s when you hear the voices

from long before your own silken life of a soul was born.

Your spirit traveled. Old ones came to meet it.

You were the future they sang for.

 

We are the ones. We are tomorrow.

 

I saved that gourd with the seeds broken out.

This year I planted only two. One

rose up from earth, strange being of another time

now tall with flowers never seen

that breathe one life in,

breathe out another.

 

One morning I woke to a song

I was singing, music so beautiful

it had never before been heard.

Singing is our language,

my path to this life

from the old, from now until tomorrow,

a beautiful morning song.

Read More from Vol. 5: Time

Our first hardcover edition, Volume 5: Time explores the vast mystery of Time. Separated from the fabric of the cosmos, Time has been distilled into a tool of control. But what kind of Time listens and moves in tune with the Earth; travels not in a straight line, but in a circle? Journeying through its many landscapes—deep time, geological time, kinship time, ancestral time, and sacramental time—this volume asks: If we can recognize a different kind of Time, can we come to dwell within it?

Order Volume 5
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