Being Part European
Play FilmWhat memories and knowledges are held by the hundreds of thousands of stolen ancestral objects kept in a secluded depot in the Netherlands by the Wereldmuseum? Filmmaker Mirelle van Tulder opens the vault to listen.
It has always been a radical act to share stories during dark times. They are regenerative spaces of creation and renewal. As we experience a loss of sacred connection to the earth, we share stories that explore the timeless connections between ecology, culture, and spirituality.
Our first hardcover edition, Time: Volume 5 explores the vast mystery of Time, journeying through its many landscapes: deep time, geological time, kinship time, ancestral time, and sacramental time. If we can recognize a different kind of Time, can we come to dwell within it?
Dive deeper into our four-part Shifting Landscapes film series with our new Engagement Guide, which invites you to reflect, discuss, and embark on a practice exploring the films’ themes.
Writer Nicholas Triolo walks the length of the Rio Côa in central Portugal with a book by Christian mystic Thomas Merton in his pack. For Merton, the living world shimmered with a divine feminine presence, meaning all within it was worthy of our love. Along the winding landscape of the Côa, damaged by agriculture and home to endangered animals, Nicholas witnesses the messy, subversive nature of “rewilding.” And with Merton as his companion on the journey, he begins to feel a wild, relational divinity in the land around him, and a devotion essential to rewilding place and self amid today’s crises of despair and destruction.
Writer Nicholas Triolo walks the length of the Rio Côa in central Portugal with a book by Christian mystic Thomas Merton in his pack. For Merton, the living world shimmered with a divine feminine presence, meaning all within it was worthy of our love. Along the winding landscape of the Côa, damaged by agriculture and home to endangered animals, Nicholas witnesses the messy, subversive nature of “rewilding.” And with Merton as his companion on the journey, he begins to feel a wild, relational divinity in the land around him, and a devotion essential to rewilding place and self amid today’s crises of despair and destruction.